German, 1803-1884 German painter, printmaker and illustrator. He ranks with Moritz von Schwind as the most important representative of late Romantic painting and printmaking in Germany. In contrast to the work of such leading masters of early Romanticism as Philipp Otto Runge and Caspar David Friedrich, which was ambitious in content and innovative in form, Richter's art was more modest in its aims, in line with the restrained intellectual climate of the Biedermeier period.   Related Paintings of Adrian Ludwig Richter :. | Teich im Riesengebirge | Details of The Schreckenstein Crossing | The Watzman | Brautzug im Fruhling | Details of The Schreckenstein Crossing |
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Jacob Koninck
(c. 1615, Amsterdam - c. 1695, Copenhagen), was a Dutch Golden Age landscape painter. According to Houbraken he lent his books on perspective to Johannes Verkolje, who became better than he was at perspective drawing.He was a disciple of Adriaen van de Velde who became a popular painter in Copenhagen where he painted for the court of Christian V of Denmark. According to the RKD he was the uncle of Salomon Koninck, a pupil of David Colijns and became the teacher of his son Jacob II and his younger brother Philips Koninck.He was in Dordrecht from 1633-1636, Rotterdam from 1637-1645, The Hague from 1647-1651, back in Amsterdam in 1658 (when he probably lent young Verkolje his perspective books), and moved to Denmark in 1676.
Charles Wellington Furse
(January 13, 1868 - October 16, 1904) was an English painter. He was born at Staines, the son of the Rev. C. W. Furse, archdeacon of Westminster, and rector of St John's, Smith Square and descended collaterally from Sir Joshua Reynolds; and in his short span of life achieved such rare excellence as a portrait and figure painter that he forms an important link in the chain of British portraiture which extends from the time when Van Dyck was called to the court of Charles I into the 20th century. His talent was precocious; at the age of seven he gave indications of it in a number of drawings illustrating Scott's novels. He entered the Slade School in 1884, winning the Slade scholarship in the following year, and completed his education at Julians Atelier in Paris. Hard worker as he was, his activity was frequently interrupted by spells of illness, for he had developed signs of consumption when he was still attending the Slade school. An important canvas called Cain was his first contribution (1888) to the Royal Academy, to the associateship of which he was elected in the year of his death. For some years before he had been a staunch supporter of the New English Art Club, to the exhibitions of which he was a regular contributor. In October 1900 he married Katharine Symonds, the daughter of John Addington Symonds. She later became known as Dame Katharine Furse. The couple had 2 sons. His fondness for sport and of an open-air life found expression in his art and introduced a new, fresh and vigorous note into portraiture. There is never a suggestion of the studio or of the fatiguing pose in his portraits. The sitters appear unconscious of being painted, and are generally seen in the pursuit of their favourite outdoor sport or pastime, in the full enjoyment of life. Such are the Diana of the Uplands, the Lord Roberts and The Return from the Ride at the Tate Gallery; the four children in the Cubbing with the York and Ainsty, The Lilac Gown, Mr. and Mrs. Oliver Fishing and the portraits of Lord Charles Beresford and William Johnson Cory. Most of these pictures, and indeed nearly all the work completed in the few years of Furse's activity, show a pronounced decorative tendency. His sense of space, composition and decorative design can best be judged by his admirable mural decorations for Liverpool town hall, executed between 1899 and 1902. A memorial exhibition of Furse's paintings and sketches was held at the Burlington Fine Arts Club in 1906.
Otto Marseus van Schrieck
(ca. 1619, Nijmegen - buried June 22, 1678, Amsterdam) was a painter in the Dutch Golden Age. Marseus van Schrieck spent the years 1648-1657 in Rome and Florence with the painters Matthias Withoos and Willem van Aelst, after which he settled in Amsterdam. He is best known for his paintings of forest flora and fauna. In Arnold Houbraken's biography of him, he mentions that he joined the Bentvueghels in Rome and was called the snuffelaer, or "sniffer", because he was always sniffing strange lizards and snakes. He quotes his wife, who apparently survived him by two husbands and was still alive when he wrote the book. He wrote that she said that Otto kept snakes and lizards in a shed at the back of his house, and also on a piece of land outside the city that was walled in for this purpose.